美术馆展示的空间延伸概念设计浅析

论文编号:HJ044     论文字数:5977,页数:14

美术馆展示的空间延伸概念设计浅析——以浙江美术馆黄宾虹展览展示设计为例
 摘  要
 浙江美术馆其建筑风格建立在独特的现代建筑造型之上，从中融入了中国古典水墨画和书法的意境，使整个建筑空间风格刚柔并进，拥有独特的韵味。则黄宾虹则是集书画，考古，文字、收藏、篆刻于一身的艺术大师。再此前提之下，展厅内部设计将美术馆的建筑空间元素与黄宾虹大师书画作品语言进行有效地互动和延续，重点突显出空间的再延伸。以“整”空间运用“虚”隔断而创造出更丰富、更具有层次感的展示空间。使参观者不仅与作品交流，而且与空间延伸的艺术进行对话。
关 键 词：美术馆; 展示空间设计; 空间延伸概念；

Abstract
Zhejiang Museum of Art built on its unique architectural style of modern architecture style above to integrate into the Chinese ink painting and calligraphy classical conception, so that the whole style of rod-coil building space in hand, has a unique charm. While Huang is set painting, archaeological, text, collection, seal in a Master of Arts. Then this premise, the Museum of Art exhibition of interior design elements with architectural space painting master Huang Binhong language for effective interaction and continuity, focusing on the re-highlight the extension of the space. In order to "clear" space to use "virtual" partition and create a richer, more flu-level exhibition space. To enable visitors not only with the works of the exchange, but also an extension of the art space for dialogue.
Keywords：Museum of Art; exhibition space design; extension of the concept of space;

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