论苏童小说《妻妾成群》中的女性悲剧

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论苏童小说《妻妾成群》中的女性悲剧
摘要：苏童描写了旧时代一群在痛苦边缘挣扎的女性悲剧形象，作者用她们的血泪史为我们奏响了时代的悲歌。作品中从人性的异化揭示了《妻妾成群》中女性悲剧的本质，对其本质分析，从性别、欲望、生存三方面,以守成型、争斗型、反抗型、妥协型、高攀型这五种女性的类型透析，围绕家庭中唯一一位男性权威进行分析，并以“井”的意象为核心，“井”是加在陈家每个女性身上的精神枷锁，是一口吞噬越轨者生命的坟墓，加强论述女性人性的异化，对造成这种人性异化的悲剧，从女性本然的人性弱点和她们作为男性的附属品总是自觉、不自觉地认同主体身份的男性意志的自身原因、性别伦理的影响和五千年来男权文化占主导地位的历史原因、新旧更替时不可调和矛盾的社会原因分析论述。
关键词：女性悲剧；本质；人性异化
  On Su Tong Novel "Wives And Concubines" The Female Tragedy
Abstract：Su Tong depicts the old era of struggling on the verge of a group of women suffering the tragedy of the image, the authors used for their tragic history of the times we played Elegy. Works from the alienation of human nature reveals the "Wives and Concubines," the essence of the tragedy of women in their analysis of the nature of gender, desire, survival in three areas in order to observe shape, battle type, resistance type, type of compromise, the five-type species of the type of female dialysis, only around a male domestic authority to carry out analysis, and "well" as the core of the image, "Well," Chen added in the spirit of each of the shackles of women is a deviant life phagocytosis the grave, to strengthen the women on the alienation of human nature, of this human tragedy of alienation, from the Original women's human weaknesses and their accessories, as men always consciously, or unconsciously, recognize the main identity of the reasons for men's self-determination, the impact of gender ethics and culture of five thousand years to male-dominated historical reasons, when the old and the new replacement irreconcilable contradictions on the analysis of social causes.
Key words：Female Tragedy；Nature；Alienation Of Human Nature 
目  录
一、《妻妾成群》女性悲剧的本质——人性的异化………………………..……. (4)   
 （一）女性异化的本质分析…………………………………………………...(4)
 （二）女性人性异化的类型分析……………………………………………..(6)
 （三） “井”的意象看人性的异化……………………………………….…..(7)
二、女性人性异化的悲剧原因分析……………………………………………….(8)
 （一）悲剧的女性主观原因………………………………………………….(8)
 （二）女性悲剧的历史原因………………………………………………….(9)
 （三）女性悲剧的社会原因………………………………………………….(9)
 三、苏童小说中女性悲剧意义……………...……………………………………(10)
参考文献…………………………………………………………………………...(11)
谢辞…………………………………………………………………………….......(12)

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