太宗时期宫廷唱和诗评议

论文编号:HY167  论文字数:14511,页数:17

摘     要
 作为太宗时期最重要的诗歌类别——宫廷唱和诗，历代以来评论褒贬不一，但多集中于对其文学价值的否定与文学史功绩的肯定两类片段式的评判上，鲜有将宫廷唱和诗结合政治经济背景与各类社会文化因素起来研究其发展脉络。本文试图通过对太宗时期宫廷唱和诗进行全方位剖析时解读出演进过程中暗藏的“对立诗论”实践的线索，以理清脉络，从而加深对太宗时期宫廷唱和诗的理解。
 关键词：太宗时期；唱和；对立诗论

 
 Abstract
 The single most important period as Taizong poetry categories - the court sing poetry, the ages mixed reviews, but more focused on their literary value of the negative and the positive achievements of literary history-based evaluation on the two fragments, little will court poetry combined with political and economic background sing all kinds of social and cultural factors together with study of their development context. This paper attempts to sing poetry Taizong conducted during the court interprets a comprehensive analysis of the evolution of the process when the hidden "against Poetry" practice leads to clarifying context, and thus deepen Taizong sing poetry during the court's understanding.
 Keywords: Taizong period; Responsorial Poems; Opposition Poetry

目     录
引言 4
贞观宫廷唱和诗概况 4
贞观前期——去浮华、尚雅正 5
贞观中期——“两分”现象与雅正、雅致并举 7
贞观后期——“两分”现象的深化 10
再审视——“对立诗论”的线索 12
附一：太宗时期重要宫廷唱和活动编年表 14
贞观前期 14
贞观中期 14
贞观后期 15
附二:太宗未能“慎终如始”相关史料 16
参考文献 17
致   谢 18

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