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论文编号:DSZP006 论文字数:6547,页数:10 附任务书,开题报告,中期检查表,指导记录,答辩表 摘要: 中国电影业的机制改革延续至今，经历了风霜雪雨。每一次变革都从根本上把握了中国电影的发展走向，决定着中国电影产业的兴衰。社会的转型必然导致中国制片业机制的变化，也促使着一个电影人从导演的身份向制片人身份的转化。贾樟柯作为中国电影业新一代的主力军，率先出征，化身制片人为中国电影产业谋求出路。本文在体制变革的背景下，以贾樟柯制片人的新身份为切入点，从成名作《小武》的独立制片谈起，再结合其制片公司的成立和运作，与上影集团的十年合作，以及《世界》在国内的公映，《三峡好人》与商业大片《满城尽带黄金甲》的档期之争。思考贾樟柯在制片人身份下所做出的成绩对中国制片产业的影响和启示。 Abstract： The reform of the Chinese movie industry have experienced many setbacks, mechanism of Chinese film fundamentally grasped the development trend of the Chinese movie industry, determines the ups and downs. The transformation of Chinese society inevitably leads to film production mechanism changes, also prompted a director to producer status transformation. JiaZhangke，as a new generation of Chinese film industry, first became the film producer to develop the Chinese movie industry. In this paper, under the background of institutional change with the new identity for Jia Zhangke producer. Under the background of institutional reform, this paper discusses Jia Zhangke's new identity of flim producer, from the well-known "Xiao Wu", with his flim production conpany's establishment and the ten-year cooperation and the cooperation with the Shanghai film group, to the projection of "The world" and the show-time competition of "still life" and "Curse of the Golden Flower". Analysis of the operation mode of production in JiaZhangke production industry in China, the feasibility of thinking in producer status under the JiaZhangke record of Chinese production industry and enlightenment.
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| Tags：导演 贾樟柯 制片人 身份 引起 思考 | 2010-11-21 12:29:50【返回顶部】 |
